It is much more valuable to look for the strength in others. You can gain nothing by criticizing their imperfections.
Daisaku IkedaRead
A great work of art is one that truly moves and inspires you. You yourself must be moved. Don't look at art with others' eyes. Don't listen to music with others' ears. You must react to art with your own feelings, your own heart and mind.
Interpretation
Art should evoke personal emotions and reactions rather than being evaluated through the opinions of others.
This quote by Daisaku Ikeda emphasizes the importance of individual perception in experiencing art. It suggests that to truly appreciate any artistic work—be it painting, music, or any other form—you must engage with it on a personal level. This means allowing your own feelings, thoughts, and experiences to guide your understanding and enjoyment, rather than conforming to what others perceive or value.
In practice
In a discussion about the impact of a recent art exhibition.
It is much more valuable to look for the strength in others. You can gain nothing by criticizing their imperfections.
There’s no need for us to be held back by the past or how things have been so far. The important thing is what seeds we are sowing now for the future.
True love should be transformative; a process that amplifies our capacity to cherish not just one person but all people. It can make us stronger, lift us higher and deepen us as individuals. Only to the extent that we polish ourselves now can we hope to develop wonderful bonds of the heart in the future.
Let us give something to each person we meet: joy, courage, hope, assurance, or philosophy, wisdom, a vision for the future. Let us always give something.
Just as a diamond can only be polished by another diamond, it is only through genuine, all-out engagement with others that people can polish their character, and help each other to reach greater heights.
Creating harmony amidst diversity is a fundamental issue of the twenty-first century. While celebrating the unique characteristics of different peoples and cultures, we have to create solidarity on the level of our common humanity, our common life. Without such solidarity, there will be no future for the human race. Diversity should not beget conflict in the world, but richness.
After my performance 'The Artist is Present (2010)' at MoMA in New York, many scientists became interested in why so many people who sat across from me began to cry. I was incredibly moved by this experience also, and was very curious to know what happens in our brains when we spend time not talking, just looking at one another.
There's something wonderfully exciting about the quiet sing song of an aeroplane overhead with all the guns in creation lighting out at it, and searchlights feeling their way across the sky like antennae, and the earth shaking snort of the bombs and the whimper of shrapnel pieces when they come down to patter on the roof.
A man paints with his brains and not with his hands.
What I wrote all the time when I was a kid - I don't want to call it 'poetry,' because it wasn't poetry. I was not that kind of a writer. I was a rhymer. I was a fan of Dorothy Parker's, so maybe I wrote poetry to that extent, but my main focus was the humor of it, and word construction, and the slant. Your words, it's a very powerful experience.
Certainly, the Hollywood cinema, there's almost nothing of interest coming out of there.
Tom Sleigh's poetry is hard-earned and well founded. I great admire the way it refuses to cut emotional corners and yet achieves a sense of lyric absolution.
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