My greatest teacher was not a vocal coach, not the work of other singers, but the way Tommy Dorsey breathed and phrased on the trombone.
Interpretation
Frank Sinatra attributes his musical education to the unique style of Tommy Dorsey rather than traditional teaching methods.
In this quote, Frank Sinatra emphasizes that the most impactful lessons he learned about music came not from formal instruction or other singers, but from observing Tommy Dorsey's approach to playing the trombone. This suggests that experiential learning and the ability to absorb inspiration from others can be just as valuable, if not more so, than conventional learning methods.
In practice
This quote can be used in a speech about the importance of learning from role models in any field.
With few exceptions, every major pop singer in the US during her generation has been touched in some way by her genius. It is Billie Holiday who was, and still remains, the greatest single musical influence on me. Lady Day is unquestionably the most important influence on American popular singing in the last twenty years.
When lip service to some mysterious deity permits bestiality on Wednesday and absolution on Sunday, cash me out.
There have been many accolades uttered about Elvis' talent and performances through the years, all of which I agree with wholeheartedly. I shall miss him dearly as a friend. He was a warm, considerate and generous man.
Dare to wear the foolish clown face.
I want to wake up in a city that never sleeps
I think my greatest ambition in life is to pass on to others what I know.
Never let the horns and woodwinds out of your sight; if you can hear them at all, they are too loud.
You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
I say to string players in small chamber orchestras, 'it's always easy to become a passenger on the journey in sound, just adding volume to the whole. But if you play in an individual way, it makes the difference between good and great sound in an orchestra.'
We've now got a whole generation of jazz musicians who have been brought up with hip-hop. We've grown up alongside rappers and DJs; we've heard this music all our life. We are as fluent in J Dilla and Dr Dre as we are in Mingus and Coltrane.
Funk never dies. It is eternal. It just smells a little different from time to time.
I have been accused of being a very simplistic, very lyrical player, and that's okay. That just comes from the blues, which is my background. But every day you wake up and transcend. You can't ever rest on your laurels.
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