The sun never knew how great it was until it hit the side of a building.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
Interpretation
What this quote means
This quote emphasizes the importance of negative space in art and architecture, suggesting that the absence of elements can be as significant as their presence.
Louis Kahn's quote highlights the interplay between light and shadow in architecture, particularly how the columns create spaces of light by their very absence. The artist's talent lies in understanding how both the presence of the columns and the negative spaces around them contribute to a harmonious artistic composition, where the rhythm of light and shadow evokes deeper perception and beauty.
Themes
In practice
Example use cases
During a presentation on architectural design, one could quote Kahn to emphasize the importance of incorporating negative space.
More from Louis Kahn
All quotes →I sense a Threshold: Light to Silence, Silence to Light - an ambiance of inspiration, in which the desire to be, to express, crosses with the possible Light to Silence, Silence to Light crosses in the sanctuary of art.
The room is the beginning of architecture.
Architecture is the reaching out for the truth.
The creation of art is not the fulfillment of a need but the creation of a need. The world never needed Beethoven's Fifth Symphony until he created it. Now we could not live without it.
We are born of light. The seasons are felt through light. We only know the world as it is evoked by light.
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I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore written down accurately and candidly much that I have heard and seen, and, except by way of commentary, nothing that I have merely imagined.
There are some designers who flash and burn - Courreges is an example of that. But he still marked fashion history. And I don't think that longevity is always a badge of honor. Modern brand management means that we are always celebrating birthdays, when what is exciting about fashion is innovation, not repetition.
To me, art almost always speaks more forcefully when it appears in an imperfect, accidental, and fragmentary way, somehow just signaling its presence, allowing one to feel it through the ineptitude of the interpretation. I prefer the Chopin that reaches me in the street from an open window to the Chopin served in great style from the concert stage.