I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
Langston HughesRead
Hang yourself, poet, in your own words. _x000D_ Otherwise, you are dead.
Interpretation
The quote emphasizes the importance of authenticity and self-expression in art and poetry.
Langston Hughes urges poets to fully immerse themselves in their own creative voice and experiences; to truly live and convey their emotions through their work. This reflects the belief that genuine artistic expression is essential for a meaningful existence, suggesting that without this, one's creative spirit is diminished or 'dead.'
In practice
In a workshop on writing, this quote could inspire participants to explore their true feelings.
I have discovered in life that there are ways of getting almost anywhere you want to go, if you really want to go.
My writing has been largely concerned with the depicting of Negro life in America.
I tire so of hearing people say, Let things take their course. Tomorrow is another day. I do not need my freedom when I'm dead. I cannot live on tomorrow's bread.
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
The calm, Cool face of the river, Asked me for a kiss
The only way to get a thing done is to start to do it, then keep on doing it, and finally you'll finish it.
Type well used is invisible as type, just as the perfect talking voice is the unnoticed vehicle for the transmission of words, ideas.
Colours shone with exceptional clarity in the rain. The ground was a deep black, the pine branches a brilliant green, the people wrapped in yellow looking like special spirits that were allowed to wander over the earth on rainy mornings only.
It is your work in life that is the ultimate seduction.
They seemed to forget that the increase of known truths stimulates the investigation, establishment and growth of the arts; not their dimination or destruction.
Before I was ever a poet, my father was writing poems about me, so it was a turning of the tables when I became a poet and started answering, speaking back to his poems in ways that I had not before.
There's this inherent screenplay structure that everyone seems to be stuck on, this three-act thing. It doesn't really interest me. To me, it's kind of like saying, 'Well, when you do a painting, you always need to have sky here, the person here and the ground here.' Well, you don't.
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