We just worked hard to not just get things right and authentic, but also to make it consistent and visually right. For instance, there are colours that aren't in the film that would have been there in reality. I think part of the look of the film not only has to do with the way it's shot and lit, but also the lack of certain colours that give it a softness which really suits it because there's more focus on the characters. For instance, there's no yellow at all until we get to Miss Stubbs' flat at the very end.
I loved the tone and the characters. They're all very different and they're all very typical for their time. When you read the screenplay you feel li… - Lone Scherfig
I loved the tone and the characters. They're all very different and they're all very typical for their time. When you read the screenplay you feel li…
- Lone Scherfig
We just worked hard to not just get things right and authentic, but also to make it consistent and visually right. For instance, there are colours th… - Lone Scherfig
We just worked hard to not just get things right and authentic, but also to make it consistent and visually right. For instance, there are colours th…
I've talked a lot about the discipline and high, high skills of the British actors as seen from my Danish point of view. But I also have to say that … - Lone Scherfig
I've talked a lot about the discipline and high, high skills of the British actors as seen from my Danish point of view. But I also have to say that …
I haven't done it by myself at all. I've been surrounded by a really, really good crew of all ages. I think it's important to have a good age range i… - Lone Scherfig
I haven't done it by myself at all. I've been surrounded by a really, really good crew of all ages. I think it's important to have a good age range i…
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