It's hard work. It's really hard work, but it's really interesting. We have this camera, I think it's called a SimulCam, and when you play it back, you can see the giant in the scene you just shot. It's incredible. You're reacting to a tennis ball that's way up there, then when you watch it, it's this huge giant's face on it. Wow. That's cool. I just can't wait to see it when it's all edited together and the special effects are all crystal clear. It's going to be, hopefully, amazing.
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Wow, I think you grow all the time when you're working. You start the job and by the end of it, if it's a long one, you kind of say, "My God, I was so different at the start of this job." I always feel like I've changed for the better with each one.
I enjoy it and just smile through it. There are days where you're just pulling your hair out, but, at the end of the day, we are the luckiest people alive, doing what we do and loving our job as much as we do. Things don't get that much better.
There is a lot of hype about drama school, I think.
The intimate conversations have its moments, because you have to sell the characters, because there is so much going on. It's so easy to get lost in the special effects and forget about the performances. The dialogue scenes have been great. It's been great working with Bryan and the writers to find where we're going and what's the story. Yeah, it's been really, really interesting.
I remember when I was younger. Dad's agent came round, and I asked if she would represent me. She didn't represent children at the time, but I wouldn't let her leave the house until she agreed. I've always been quite headstrong.
I haven't done any training. I come from a family of actors, but I haven't done any training.
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