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I put my head out of my window and see how much the wind’s knife wants to slice it off. On this unseen guillotine, I’ve placed the eyeless head of all my desires.
Federico Garcia Lorca
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Interpretation

What this quote means

The quote reflects on the tensions between desire and the risks of existence, suggesting that our aspirations can be dangerous.

In this vivid metaphor, Lorca illustrates the struggle between one's desires and the inherent dangers of life. The imagery of the 'wind's knife' suggests an unseen threat that could sever one's hopes, while the 'eyeless head of all my desires' emphasizes the futility and blindness of yearning without understanding potential consequences. The quote encapsulates the idea that to desire is to expose oneself to danger, and it raises questions about the value and risks of pursuing one's dreams.

Themes

DesireRiskLifeExistencePhilosophy

In practice

Example use cases

During a discussion on the nature of ambition, one might quote Lorca to emphasize the dangers of unrestrained desire.

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The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
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There is nothing more poetic and terrible than the skyscrapers' battle with the heavens that cover them. Snow, rain, and mist highlight, drench, or conceal the vast towers, but those towers, hostile to mystery and blind to any sort of play, shear off the rain's tresses and shine their three thousand swords through the soft swan of the fog.
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The poem, the song, the picture, is only water drawn from the well of the people, and it should be given back to them in a cup of beauty so that they may drink - and in drinking understand themselves.
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Death laid its eggs in the wound
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The two elements the traveler first captures in the big city are extra human architecture and furious rhythm. Geometry and anguish.
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New York is something awful, something monstrous. I like to walk the streets, lost, but I recognize that New York is the world's greatest lie. New York is Senegal with machines.
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