There is such a thing as the poetry of a mistake, and when you say, "Mistakes were made," you deprive an action of its poetry, and you sound like a weasel.
Say what you want about it, Hell is story-friendly... The mechanisms of hell are nicely attuned to the mechanisms of narrative. Not so the pleasures of Paradise. Paradise is not a story. It's about what happens when the stories are over.
Interpretation
What this quote means
The quote discusses the nature of storytelling in relation to hell and paradise, suggesting that narratives thrive in conflict and suffering rather than in blissful existence.
Charles Baxter's quote highlights the idea that narratives and stories often revolve around conflict, suffering, and what we might call 'hell.' In contrast, he argues that paradise lacks the compelling elements that make a story engaging, as it represents a state of being beyond narrative – a place without struggles or stories. Thus, while hell provides fertile ground for storytelling due to its inherent drama, paradise represents an absence of conflict that is less relatable and engaging.
Themes
In practice
Example use cases
In a discussion about the nature of conflict in literature, this quote can emphasize the role of suffering in storytelling.
More from Charles Baxter
All quotes →A novel is not a summary of its plot but a collection of instances, of luminous specific details that take us in the direction of the unsaid and unseen.
The problem with love and God, the two of them, is how to say anything about them that doesn’t annihilate them instantly with the wrong words, with untruth. . . . In this sense, love and God are equivalents. We feel both, but because we cannot speak clearly about them, we end up–wordless, inarticulate—by denying their existence altogether, and, pfffffft, they die.
When all the details fit in perfectly, something is probably wrong with the story.
You know, there's something heartsick about parties like this. Look at us. We're all pretending to be smart, as if intelligence were the cure for our anguish.
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Always go too far, because that's where you'll find the truth
The chief misery of the decline of the faculties, and a main cause of the irritability that often goes with it, is evidently the isolation, the lack of customary appreciation and influence, which only the rarest tact and thoughtfulness on the part of others can alleviate.
How much more of the mosque, of prayer and fasting?_x000D_ _x000D_ Better go drunk and begging round the taverns._x000D_ _x000D_ Khayyam, drink wine, for soon this clay of yours_x000D_ _x000D_ Will make a cup, bowl, one day a jar._x000D_ _x000D_ When once you hear the roses are in bloom,_x000D_ _x000D_ Then is the time, my love, to pour the wine;_x000D_ _x000D_ Houris and palaces and Heaven and Hell-_x000D_ _x000D_ These are but fairy-tales, forget them all.
There is not one piece of cosmic dust that is outside the scope of God's sovereign providence.
Toohey: "Mr. Roark, we're alone here. Why don't you tell me what you think of me? In any words you wish. No one will hear us." Roark: "But I don't think of you.
Time has no divisions to mark its passage, there is never a thunder-storm or blare of trumpets to announce the beginning of a new month or year. Even when a new century begins it is only we mortals who ring bells and fire off pistols.