I stood beside a hill_x000D_ _x000D_ Smooth with new-laid snow,_x000D_ _x000D_ A single star looked out_x000D_ _x000D_ From the cold evening glow._x000D_ _x000D_ There was not other creature_x000D_ _x000D_ That saw what I could see,_x000D_ _x000D_ I stood and watched the evening star_x000D_ _x000D_ As long as it watched me.
Interpretation
The quote reflects the beauty of a serene moment in nature, emphasizing connection and observation.
In this poem, Sara Teasdale captures a tranquil moment where she observes a star shining in the evening sky, surrounded by the stillness of a snow-covered hill. This moment of contemplation reveals a profound connection to nature and highlights the beauty that can be found in solitude, suggesting that even in isolation, there is an intimate dialogue between the observer and the observed.
In practice
This quote can be used in a speech about appreciating the small, beautiful moments in life.
As the waves of perfume, heliotrope, rose, _x000D_ _x000D_ Float in the garden when no wind blows, _x000D_ _x000D_ Come to us, go from us, whence no one knows; _x000D_ _x000D_ So the old tunes float in my mind, _x000D_ _x000D_ And go from me leaving no trace behind, _x000D_ _x000D_ Like fragrance borne on the hush of the wind.
From my spirit's gray defeat, From my pulse's flagging beat, From my hopes that turned to sand Sifting through my close-clenched hand, From my own fault's slavery, If I can sing, I still am free. For with my singing I can make A refuge for my spirit's sake, A house of shining words, to be My fragile immortality.
I thought of you and how you love this beauty, And walking up the long beach all alone I heard the waves breaking in measured thunder As you and I once heard their monotone. Around me were the echoing dunes, beyond me The cold and sparkling silver of the sea -- We two will pass through death and ages lengthen Before you hear that sound again with me.
Lyric night of the lingering Indian Summer, Shadowy fields that are scentless but full of singing, Never a bird, but the passionless chant of insects, Ceaseless, insistent. The grasshopper's horn, and far-off, high in the maples, The wheel of a locust leisurely grinding the silence Under a moon waning and worn, broken, Tired with summer.
Let it be forgotten, as a flower is forgotten, Forgotten as a fire that once was singing gold, Let it be forgotten forever and ever, Time is a kind friend, he will make us old.
For I shall learn from flower and leaf, That color every drop they hold, To change the lifeless wine of grief To living gold.
What we are doing is, rather than living on the interest of our basic biological capital, we're using up our capital, so we're dipping into our capital. We're using up what should be our children's and grandchildren's legacy.
If I have any lasting worth, it will be because I have tried to make people remember what the Earth is meant to look like.
Human beings grew up in forests; we have a natural affinity for them. How lovely a tree is, straining toward the sky.
Nature hides her secrets because of her essential loftiness, but not by means of ruse.
Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?
We are proposing buildings that, like trees, are net energy exporters, produce more energy than they consume, accrue and store solar energy, and purify their own waste, water and release it slowly in a purer form.
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