To lose a passport was the least of one’s worries. To lose a notebook was a catastrophe.
Bruce ChatwinRead
The history of Buenos Aires is written in its telephone directory. Pompey Romanov, Emilio Rommel, Crespina D. Z. de Rose, Ladislao Radziwil, and Elizabeta Marta Callman de Rothschild - five names taken at random from among the R's - told a story of exile, desolation, disillusion, and anxiety behind lace curtains.
Interpretation
The quote reflects the complex and poignant narratives of individuals in Buenos Aires, revealing deeper themes of dislocation and loss.
In this quote, Bruce Chatwin suggests that the names in the telephone directory of Buenos Aires encapsulate not just the identities of individuals, but also the broader human experiences of exile, disillusionment, and anxiety. Each name represents a story behind the surface of everyday life, hinting at the rich tapestry of personal histories intertwined with the city's narrative of transformation and struggle.
In practice
This quote can be used in a discussion about the cultural significance of urban identities.
To lose a passport was the least of one’s worries. To lose a notebook was a catastrophe.
Even today, when an Aboriginal mother notices the first stirrings of speech in her child, she lets it handle the "things" of that particular country: leaves, fruit, insects and so forth. "We give our children guns and computer games," Wendy said. "They gave their children the land."
When people start talking of man's inhumanity to man it means they haven't actually walked far enough.
Sluggish and sedentary peoples, such as the Ancient Egyptians-- with their concept of an afterlife journey through the Field of Reeds-- project on to the next world the journeys they failed to make in this one.
I pictured a low timber house with a shingled roof, caulked against storms, with blazing log fires inside and the walls lined with all the best books, somewhere to live when the rest of the world blew up.
God show me the way because the Devil trying to break me down
To me the biggest irony of this lifetime that I'm living is that for someone who thrives in the public eye in the creative ways that I do, I actually don't enjoy being in the public eye.
Any man's death diminishes me, because I am involved in Mankind; And therefore never send to know for whom the bell tolls; it tolls for thee.
My dreams are a stupid refuge, like an umbrella against a thunderbolt.
What consoles one nowadays is not repentance but pleasure. Repentance is quite out of date.
What scares me is what scares you. We're all afraid of the same things. That's why horror is such a powerful genre. All you have to do is ask yourself what frightens you and you'll know what frightens me.
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