If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
Interpretation
The quote emphasizes the importance of evolution and creativity in music, encouraging artists to remain curious and open to change.
In this quote, Carlos Santana highlights the significance of history in inspiring new generations of musicians. He suggests that by learning from the past, artists can continue to innovate, grow, and maintain their passion for music. The phrase 'spiritually hungry and horny' expresses a deep yearning for knowledge and creativity, urging musicians to always seek new experiences and ideas in their art.
In practice
This quote can be used in a music workshop to inspire upcoming musicians.
My dad's a beautiful man, but like a lot of Mexican men, or men in general, a lot of men have a problem with the balance of masculinity and femininity - intuition and compassion and tenderness - and get overboard with the macho thing. It took him a while to become more, I would say, conscious, evolved.
I grew up in the sixties watching B.B. King and Tito Puente and Miles Davis and Coltrane, everybody, Marvin Gaye, Jimi. And at the same time, with my left eye I was watching Dolores Huerta, Cesar Chavez, Martin Luther King, Malcolm X, Mother Teresa.
First of all, the music that people call Latin or Spanish is really African. So Black people need to get the credit for that.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
Ever since I was a child I've always been very attracted to melodies. Whether I hear Jeff Beck, a choir, an ocean or the wind, there's always a melody in there.
I realised a long time ago that instrumental music speaks a lot more clearly than English, Spanish, Yiddish, Swahili, any other language. Pure melody goes outside time.
This banjo surrounds hate and forces it to surrender.
When you pay your money to see me, I want you to have the best concert you can have from me.
As for my stuff, I'm just doing guest verses for other people's records. I try to stay recording, because if I don't, I get rusty.
What came first β the music or the misery? Did I listen to the music because I was miserable? Or was I miserable because I listened to the music? Do all those records turn you into a melancholy person?
I can sing very comfortably from my vantage point because a lot of the music was about a loss of innocence, there's innocence contained in you but there's also innocence in the process of being lost.
It's not about battling the original artists when I record these songs, it's about paying tribute to them.
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