You know, Hitler wanted to be an artist. At eighteen he took his inheritance, seven hundred kronen, and moved to Vienna to live and study... Ever see one of his paintings? Neither have I. Resistance beat him. Call it overstatement but I'll say it anyway: it was easier for Hitler to start World War II than it was for him to face a blank square of canvas.
Interpretation
The quote reflects on the struggle of creative endeavor versus the ease of destructive action.
In this thought-provoking statement, Steven Pressfield highlights the irony of Adolf Hitler's aspirations as an artist, contrasting his artistic failure with his success in leading a catastrophic war. The quote suggests that the fear of creative insecurity can be so overwhelming that it might lead one to choose paths that ultimately cause harm rather than confronting the vulnerability inherent in artistic expression.
In practice
This quote can be used in a motivational speech about facing challenges in creative pursuits.
Late at night have you experienced a vision of the person you might become, the work you could accomplish, the realized being you were meant to be? Are you a writer who doesn't write, a painter who doesn't paint, an entrepreneur who never starts a venture? Then you know what Resistance is.
It is one thing to study war and another to live the warrior's life.
The amateur believes he must first overcome his fear; then he can do his work. The professional knows that fear can never be overcome. He knows there is no such thing as a fearless warrior or a dread-free artist.
When we sit down day after day and keep grinding, something mysterious starts to happen... Unseen forces enlist in our cause; serendipity reinforces our purpose.
It’s better to be in the arena, getting stomped by the bull, than to be up in the stands or out in the parking lot.
Rule of thumb: The more important a call or action is to our soul's evolution, the Resistance we will feel toward pursuing it.
I’m just a storyteller, and the cinema happens to be my medium. I like it because it recreates life in movement, enlarges it, enhances it, distills it. For me, it’s far closer to the miraculous creation of life than, say, a painting or music or even literature. It’s not just an art form; it’s actually a new form of life, with its own rhythms, cadences, perspectives and transparencies. It’s my way of telling a story.
My attitude toward punctuation is that it ought to be as conventional as possible. The game of golf would lose a good deal if croquet mallets and billiard cues were allowed on the putting green. You ought to be able to show that you can do it a good deal better than anyone else with the regular tools before you have a license to bring in your own improvements.
The writing of the Beatles, or John and Paul's contribution to the Beatles in the late sixties - had a kind of depth to it, a more mature, more intellectual approach. We were different people, we were older. We knew each other in all kinds of different ways than when we wrote together as teenagers and in our older twenties.
Whoever does not visit Paris regularly will never really be elegant.
I believe that music is connected by human passions and curiosities rather than by marketing strategies.
So to the wretched writer I should like to say that there’s one body only whose request for your caresses is not vulgar, is not unchaste, untoward, or impolite: the body of your work itself; for you must remember that your attentions will not merely celebrate a beauty but create one; that yours is love that brings it own birth with it, just as Plato has declared, and that you should therefore give up the blue things of this world in favor of the words which say them
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