The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
Clint SmithRead
In my hometown of New Orleans, grief is a public spectacle that, somewhat paradoxically, necessitates celebration. The dead are not mourned so much as they are posthumously venerated with music and dance.
Interpretation
Grief in New Orleans is shared publicly, where mourning transforms into a celebration of life.
This quote highlights the unique cultural approach of New Orleans towards death and mourning. Instead of being purely a somber event, the community comes together to celebrate the lives of those who have passed away, honoring them through music and dance. This paradox reflects a deeper understanding of grief as both a personal and collective experience, where sorrow is intertwined with joy, showcasing the vibrancy of life even in the face of death.
In practice
This quote can be used in a speech about cultural differences in mourning practices.
The death penalty not only takes away the life of the person strapped to the table - it takes away a little bit of the humanity in each of us.
In an effort to create a culture within my classroom where students feel safe sharing the intimacies of their own silences, I have four core principles posted on the board that sits in the front of my class, which every student signs at the beginning of the year: read critically, write consciously, speak clearly, tell your truth.
One does not read a poem by Gwendolyn Brooks with hopes that it will grant him a career in engineering; he does so because poetry helps him see something in the world that he might not have seen before.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
Photography, sculpture, and painting were wielded as cultural weapons over the course of generations to substantiate the idea that black people were inherently subordinate beings; they were used to make slavery acceptable and to make black subjugation more palatable.
My parents raised me and my siblings in an armor of advice, an ocean of alarm bells so someone wouldn't steal the breath from our lungs, so that they wouldn't make a memory of this skin.
Sometimes thinking back on things is a mistake arising out of pride, but I guess you live inside a moment for years, move with it and feel it grow, and it sends out roots until it touches everything in sight.
I am thankful to the Nobel committee for recognising the plight of millions of children who are suffering in this modern age.
Some people speak and sing and walk and sit and sleep and silence their homesickness, for a long time, and to no avail. Some say that over time homesickness loses its specific content, that it starts to smolder and only then becomes all-consuming, because it’s no longer focused on a concrete home. I am one of the people who say that.
Neurosis is the natural by-product of pain avoidance.
I always wanted to be a femme fatale. Even when I was a young girl, I never really wanted to be a girl. I wanted to be a woman.
All necessary truth is its own evidence.
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