All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
David BowieRead
However, there's no theme or concept behind Heathen, just a number of songs but somehow there is a thread that runs through it that is quite as strong as any of my thematic type albums.
Interpretation
The quote reflects on the unifying thread within a diverse collection of songs that may lack a clear theme.
David Bowie's statement acknowledges that even when an album doesn't present an overt theme or concept, there can still be an inherent connection tying the pieces together. This recognition highlights the complexity of artistic expression, where the essence of a work can transcend explicit narratives, resonating with listeners in a deep and cohesive way.
In practice
This quote is perfect for discussing the nature of artistic coherence in a music podcast.
All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
I guess, taking away all the theatrics or the costuming and the outer layers of what I do, I'm a writer... I write.
I always had a repulsive need to be something more than human.
Nothing prepared me for your smile
But I've got to think of myself as the luckiest guy. Robert Johnson only had one album's worth of work as his legacy. That's all that life allowed him.
I'm an early riser. I get up between five and six, have coffee, and read for a couple of hours before everyone else gets up.
I think bridges have a special meaning in our life. I think a book is a bridge. Any type of art is a bridge that allows different cultures to connect. You may not understand your neighbour's way of seeing life, but you sure understand your neighbour's joy in painting or dancing.
I've wanted to design golf courses ever since I was a kid. I suppose it comes from the way I've played the game. To find the proper way to play any hole, I've always begun by asking myself what the architect has tried to do with it.
The writer is the visionary of his people... He anticipates, he warns.
As a writer, I tend to be drawn to marginal people - writers, poet-prophets, seers, eccentrics - who embody the deeper ambivalences of their societies and bear deeper witness to their world than the famous figures we are used to celebrating, or demonizing, in our histories.
There's a difference between ad-libbing and improvising. And there's a difference between not knowing what to do and just saying something. Or making choices as an actor. As a writer also, as a person who's making a film, as a cameraman, everything is a choice. And it seems to me I don't really have to direct anyone or write down that somebody's getting drunk; all I have to do is say that there's a bottle there and put a bottle there and then they're going to get drunk.
How much has to be explored and discarded before reaching the naked flesh of feeling.
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