I am a person who continually destroys the possibilities of a future because of the numbers of alternative viewpoints I can focus on the present.
Doris LessingRead
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.
Interpretation
Stories shape our understanding of life and hold our collective wisdom.
Doris Lessing emphasizes the fundamental role of storytelling in human experience, suggesting that our stories encapsulate our wisdom and understanding of life. By framing our lives within narratives that consist of a clear beginning, middle, and end, we not only share experiences but also construct meaning from them, illustrating how essential storytelling is to humanity's legacy and identity.
In practice
This quote could be used in a speech about the importance of storytelling in education.
I am a person who continually destroys the possibilities of a future because of the numbers of alternative viewpoints I can focus on the present.
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
There is a great line of women stretching out behind you into the past, and you have to seek them out and find them in yourself and be conscious of them.
The World War I, I'm a child of World War I. And I really know about the children of war. Because both my parents were both badly damaged by the war. My father, physically, and both mentally and emotionally. So, I know exactly what it's like to be brought up in an atmosphere of a continual harping on the war.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.
When a white man in Africa by accident looks into the eyes of a native and sees the human being (which it is the chief preoccupation to avoid), his sense of guilt, which he denies, fumes up in resentment and he brings down the whip.
There are different kinds of fire; there is false fire. No one knows this better than we do, but we are not such fools as to refuse good bank notes because there are false ones in circulation; and although we see here and there manifestations of what appears to us to be nothing more than mere earthly fire, we none the less prize and value, and seek for the genuine fire which comes from the altar of the Lord.
As an atheist, I think there are lots of things religions get up to which are of value to non-believers - and one of those things is trying to be a bit better than we normally manage to be.
Robert was the true steel. Stannis is pure iron, black and hard and strong, yes, but brittle, the way iron gets. He'll break before he bends. And Renly, that one, he's copper, bright and shiny, pretty to look at but not worth all that much at the end of the day.
The bones and flesh and legal statistics are the garments worn by the personality, not the other way around.
In all of us there is a hunger, marrow-deep, to know our heritage, to know who we are and where we came from.
Poets talk about "spots of time", but it is really the fishermen who experience eternity compressed into a moment. No one can tell what a spot of time is until suddenly the whole world is a fish and the fish is gone.
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