The small wisdom is like water in a glass: clear, transparent, pure. The great wisdom is like the water in the sea: dark, mysterious, impenetrable.
Rabindranath TagoreRead
Who are you, a hundred years from today, reading my poetry with curiosity?
Interpretation
This quote reflects on the enduring nature of art and the connection it forms across time and generations.
Rabindranath Tagore's quote invites us to contemplate the timeless quality of art and poetry. It suggests that the work of an artist or poet transcends their own lifetime, reaching out to future generations who engage with their creations. By addressing a hypothetical future reader, Tagore emphasizes the curiosity and connection that can be felt through artistic expression, regardless of the passage of time.
In practice
In a discussion about timeless literature, you can refer to this quote to highlight how poetry remains relevant across generations.
The small wisdom is like water in a glass: clear, transparent, pure. The great wisdom is like the water in the sea: dark, mysterious, impenetrable.
Music fills the infinite between two souls. This has been muffled by the mist of our daily habits.
True deliverance of man is the deliverance from Avidya i.e. ignorance. It is not in destroying anything that is positive and real, for that cannot be possible, but that which is negative, which obstructs our vision of truth.
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures. It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.
If you cry because the sun has gone out of your life, your tears will prevent you from seeing the stars.
To be outspoken is easy when you do not wait to speak the complete truth.
When I'm about to train a new opera, I first listen to how Jussi Björling did it. His voice was unique and it's his path that I want to follow. I would more than anything else wish that people compared me with Jussi Björling. It's like so I'm striving to sing.
No matter how close to personal experience a story might be, inevitably you are going to get to a part that isn't yours and, actually, whether it happened or not becomes irrelevant. It is all about choosing the right words.
There is a kind of classlessness in the theater. The rehearsal pianist, the head carpenter, the stage manager, the star of the show-all are family.
A writer's definitive death is when no one reads his books anymore. That's the final death.
There are two kinds of writers; the great ones who can give you truths, and the lessor ones, who can only give you themselves.
If there is a magic in story writing, and I am convinced there is, no one has ever been able to reduce it to a recipe that can be passed from one person to another.
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