The heaventree of stars hung with humid nightblue fruit.
James JoyceRead
She respected her husband in the same way as she respected the General Post Office, as something large, secure and fixed: and though she knew the small number of his talents she appreciated his abstract value as a male.
Interpretation
The quote highlights a woman's respect for her husband as a stable figure, despite recognizing his limited talents.
In this quote, James Joyce conveys the idea of respect within a marital relationship, comparing the husband's presence to a public institution known for stability and security. The woman's appreciation for her husband is portrayed as detached, acknowledging his value not for his talents but for the role he plays in her life, illustrating a complex dynamic of admiration mixed with recognition of limitations.
In practice
During a wedding speech, one might reference this quote to emphasize the foundation of mutual respect in a successful marriage.
The heaventree of stars hung with humid nightblue fruit.
I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.
The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.
'This thing I feel, I can't name it straight out but it seems important, do you feel it too?' — this sort of direct question is not for the squeamish. For one thing, it's perilously close to 'Do you like me? Please like me,' which you know quite well that 99% of all the interhuman manipulation and bullshit gamesmanship that goes on goes on precisely because the idea of saying this sort of thing straight out is regarded as somehow obscene.
Later, going home, I realized they didn't look alike at all; what made them seem to was the aftermath of stress and the lingering of sorrow. It's strange how pain marks our faces, and makes us look like family.
Now I'm starting to think he wasn't supposed to be my whole life, he was just this doorway to me.
I will never have a photograph of her to carry around in my pocket. I will never have a letter in her handwriting, or a scrap-book of everything we've done. I will never share an apartment with her in the city. I will never know if we are listening to the same song at the same time. We will not grow old together. I will not be the person she calls when she's in trouble. She will not be the person I call when I have stories to tell. I will never be able to keep anything she's given to me.
If you can find your footing between two cultures, sometimes you can have the best of both worlds.
Then a strange thing happened. She turned to him and smiled, and as he saw her smile every rag of anger and hurt vanity dropped from him — as though his very moods were but the outer ripples of her own, as though emotion rose no longer in his breast unless she saw fit to pull an omnipotent controlling thread.
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