I work with nature, although in completely new terms.
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Painting is a science pursued as an enquiry into the laws of nature...Observation is considered the key to natural science.
I work on two levels. I occupy my conscious mind with things to do, lines to draw, movements to organize, rhythms to invent. In fact, I keep myself occupied. But that allows other things to happen which I'm not controlling... the more I exercise my conscious mind, the more open the other things may find that they can come through.
Focusing isn't just an optical activity; it is also a mental one.
I never make studies from nature. They would get in the way. I make use of my mind.
As the artist picks his way along, rejecting and accepting as he goes, certain patterns of enquiry emerge.
For me nature is not landscape, but the dynamism of visual forces, an event rather than an appearance. These forces can only be tackled by treating color and form as ultimate identities, freeing them from all descriptive or functional roles.
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