I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
Robert RedfordRead
Ideas aren't real estate, they grow collectively and that knocks out the egotistical loneliness that generally infects art.
Interpretation
What this quote means
Ideas flourish through collaboration, countering individual isolation in artistic endeavors.
In this quote, Robert Redford emphasizes the importance of collaboration and community in the creative process. Unlike real estate, which is limited and solitary, ideas can expand and flourish when shared among individuals, thereby diminishing the sense of loneliness that can plague artists working in isolation. This collective growth fosters a rich cultural environment where creativity thrives, ultimately benefiting the art world as a whole.
Themes
CollaborationCreativityArtCommunityGrowth
In practice
Example use cases
During a creative workshop, one can quote this to inspire teamwork among participants.
More from Robert Redford
All quotes βPeople say I've gone against Hollywood, but I've tried to be independent within Hollywood, tried to be my own person.
Robert RedfordRead
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
Robert RedfordRead
For me, the Sundance Institute is just an extension of something I believed in, which is creating a mechanism for new voices to have a place to develop and be heard.
Robert RedfordRead
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
Robert RedfordRead
Be careful of success; it has a dark side.
Robert RedfordRead
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The painting is finished when the idea has disappeared.
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I was glamorous because of magicians like George Folsey, James Wong Howe, Oliver Marsh, Ray June, and all those other great cinematographers. I trusted those men and the other experts who made us beautiful. The rest of it I didn't give a damn about. I didn't fuss about my clothes, my lighting, or anything else, but, believe me, some of them did.
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My partner sometimes liked to go into the studio and improvise voice things just for fun. When I returned from England I transcribed one of her melodies, and had some of the hospice participants sing it, because they said they liked to sing. Their singing is very raw, but I'm going to use it for the final work.
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All fiction comes from a little bit of reality, otherwise it would have no relevance. The fun is in innovation, take something real like this fair, and make it something larger than life.
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