If it's illegal to rock and roll, throw my ass in jail!
Interpretation
The quote expresses a defiance against societal norms regarding music and personal freedom.
Kurt Cobain's statement highlights the importance of self-expression and the significance of rock music in culture. He conveys a rebellious attitude toward any restrictions placed on artistic creativity, implying that if playing and enjoying rock music is deemed wrong or illegal, then he would willingly face the consequences rather than conforming to conventional expectations.
In practice
This quote can be used in a discussion about the impact of music on culture during a seminar.
I don't blame the average seventeen-year-old punk-rock kid for calling me a sellout. I understand that. And maybe when they grow up a little bit, they'll realize there's more things to life than living out your rock & roll identity so righteously.
Rape is one of the most terrible crimes on earth and it happens every few minutes. The problem with groups who deal with rape is that they try to educate women about how to defend themselves. What really needs to be done is teaching men not to rape. Go to the source and start there.
Thank you for the tragedy. I need it for my art.
I get a thrill meeting kids who are into alternative music.
The future of rock belongs to women.
I don't need to be inspired any longer, just supported.
There was a point in the '80s when I looked out at my audience and I saw people that - were I not on the stage - they'd sooner slug me as they walked by me on the sidewalk. And I realized that I was way beyond the choir.
The rock & roll industry is very incestuous, and we have all been close at one time or another. A lot of beautiful music and a lot of beautiful times came from that. A lot of pain, too, because, inevitably, different relationships broke up.
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
Jet, I can almost remember their funny faces
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
There is a lot to say about what Bikini Kill and other 'riot grrrl' bands were able to achieve when they first set out. They were not some momentary, convulsive, creative spasm of independent music. There was a very real, relevant point of view being expressed.
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