I was an only child and I had a mother and father who were just - there wasn't a straight man in the house, and I mean that in a very nice way. They were fun, and we would laugh a lot.
I'm in the acting business. That's the ego business.
Interpretation
What this quote means
This quote highlights the relationship between acting and ego, suggesting that the acting profession is driven by self-presentation and personal identity.
Betty White's statement reflects on the nature of the acting industry, where performers constantly seek validation and recognition for their work. By describing acting as the 'ego business', she suggests that success in this field often involves a strong sense of self-identity and a desire to be seen and appreciated, indicating that the emotional and psychological facets of performance play a crucial role in an actor's career.
Themes
In practice
Example use cases
During a speech at an acting workshop, to emphasize the importance of self-awareness in performance.
More from Betty White
All quotes βDon't try to be young. Just open your mind. Stay interested in stuff. There are so many things I won't live long enough to find out about, but I'm still curious about them. You know people who are already saying, 'I'm going to be 30 - oh, what am I going to do?' Well, use that decade! Use them all!
Animals don't lie. Animals don't criticize. If animals have moody days, they handle them better than humans do.
I have my golden retriever now, Pontiac. He's a career-change guide dog from Guide Dogs for the Blind.
When I pontificate, it sounds so, you know, Oh, well, she's preaching. I'm not preaching, but I think maybe I learned it from my animal friends. Kindness and consideration of somebody besides yourself. I think that keeps you feeling young. I really do.
You gotta use everything you possibly can!
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I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
People probably have different philosophies about this, but I think that when you're first shaping the play and trying to find a character, the initial actors that develop it end up imprinting on it - you hear their voices; you hear their rhythms. You can't help but to begin to write toward them during the rehearsal process.
The truest expression of a people is in its dances and its music. Bodies never lie.