Because reading is one of the joys of life, and once you begin, you can't stop, and you've got so many stories to look forward to.
Benedict CumberbatchRead
I'm aware of the power of looks. I've wanted to play roles that have gone to much better-looking people and you just think 'Oh well, that's the pin up guy's an actor like my friend James Mcavoy, who's gorgeous on screen. I'm not that. But at least I don't have to worry about taking precious care of my face because it's my commodity. That's a great freedom. I'm not afraid of being heinous for the sake of a part
Interpretation
Benedict Cumberbatch embraces the freedom that comes from not being bound by conventional standards of beauty in acting.
In this quote, Benedict Cumberbatch reflects on the impact of physical appearance in the acting industry, acknowledging that while he may not fit the traditional mold of a 'leading man', he appreciates the freedom that comes with not having to prioritize his looks. This acceptance allows him to take on a wider range of roles without the pressure of maintaining an idealized image, showcasing a deeper understanding of the art of acting beyond superficiality.
In practice
During a panel discussion on the challenges actors face regarding appearance.
Because reading is one of the joys of life, and once you begin, you can't stop, and you've got so many stories to look forward to.
[on BBC's Sherlock] It's a rare challenge, both for the audience and an actor, to take part in something with this level of intelligence and wit. You have to really enjoy it. It's a form of mental and physical gymnastics.
It's difficult because nothing's preordained by plan and you can't control it. That's one of those joys and thrills and nerve-racking realities of being an actor. A lot has to do with luck, no matter what your talent or contribution can be.
I'm interested in art for all. I don't want it to be only the sons and daughters of Tory MPs who get to see my plays.
Metaphorically speaking, it's easy to bump into one another on the journey from A to B and not even notice. People should take time to notice, enjoy and help each other.
The system is the work of art; the visual work of art is the proof of the System. The visual aspect can't be understood without understanding the system. It isn't what it looks like but what it is that is of basic importance.
Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If in your bold creative way you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe.
Throughout his work, Philip Levine's most powerful commitment has been to the failed and lost, the marginal, the unloved, the unwanted.
I sometimes think there is nothing so delightful as drawing.
The thing with computer-generated imagery is that it's an incredibly powerful tool for making better visual effects. But I believe in an absolute difference between animation and photography.
Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance.
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