I'm fascinated by the capacity to be able to do harm. I struggle every day with the ability of people to do evil. Not just the big things - the petty things that people do in order to make someone feel small, when it's so easy to do, and it hurts so much.
Interpretation
The quote reflects on the ease with which people can cause harm to others, both in significant and minor ways.
Forest Whitaker expresses a deep fascination and struggle with humanity's capacity for harm. He highlights that it is not only the monumental acts of evil that concern him, but also the everyday, petty actions that degrade and belittle others, emphasizing how easily such behavior can occur and the profound impact it has on individuals.
In practice
A discussion on human behavior in a psychology class.
As human beings, we all have reasons for our behavior. There may be people who have certain physiological issues that dictate why they make certain choices. On the whole, though, I think we're dictated by our structure, our past, our environment, our culture. So once you understand the patterns that shape a person, how can you not find sympathy?
I think that cinema and the arts are central in our lives because we grow up and learn about the world through our exposure to stories. Parents use them as a tool to teach their children fundamental truths and values, much as adults can view them to gain exposure to cultures and individuals that they'd never be able to view in their own lives.
In some sense, when you take a child soldier out of an armed group, you've taken away the identity he or she has had for years, and you can't assume life is just going to return to normal.
Cinema and the arts invite viewers to focus on a story and, in doing so, peel away its layers and peer into the depths of the human soul.
I put down the camera long ago, you know? I was here in London, aged 19, and I was obsessed with my camera, shooting everything I could. Then someone stole it. It helped me to see things for the first time.
You try to pull away the experiences until you get to the core of humanity, and you find that light that exists in everybody. It's that light that I'm searching for in all of my work - is that connective thing, that ether that enters all of us - you know what I mean? That's a part of God.
Marseilles isn't a city for tourists. There's nothing to see. Its beauty can't be photographed. It can only be shared. It's a place where you have to take sides, be passionately for or against. Only then can you see what there is to see. And you realize, too late, that you're in the middle of a tragedy. An ancient tragedy in which the hero is death. In Marseilles, even to lose you have to know how to fight.
If a man is not rising upward to be an angel, depend on it, he is sinking downward to be a devil.
Religions have always been clearly on to this psycho-therapeutic score. For hundreds of years in the West, Christian art had a very clear function: it was meant to direct us towards the good and wean us off vice.
Time is the River on which the leaves of our thoughts are carried into oblivion.
Gosh, what a gripping story. You must have been simply terrified. Meanwhile we went to Godric's Hollow and, let's think, what happened there, Harry? Oh yes, You-Know-Who's snake turned up, it nearly killed both of us, and then You-Know-Who himself arrived and missed us by about a second. Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn't it?
This is who I am: a flyspeck of human vanity in a trillion miles of stone-dead interstellar space; a graceless lump of flesh and fear in a remote desert where nearly everything that I can see or touch is designed to hurt me.
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