However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
Samuel R. DelanyRead
I'm not about either entertaining or instructing. The entertaining and instructing are secondary fallout from the fundamental thing, which is basically to create an aesthetic object.
Interpretation
The primary purpose of art is to create beauty, while teaching or entertaining is a secondary outcome.
In this quote, Delany emphasizes that the true essence of art lies in the creation of an aesthetic object, suggesting that the role of an artist is to evoke beauty rather than merely to entertain or instruct. He asserts that the experiences of entertainment and instruction stem from the artistic creation itself, rather than being the main goal.
In practice
During an art exhibition opening, this quote could be shared to express the philosophy behind the pieces displayed.
However much, as readers, we lose ourselves in a novel or story, fiction itself is an experience on the order of memory -not on the order of actual occurrence.
The only important elements in any society are the artistic and the criminal, because they alone, by questioning the societyβs values, can force it to change.
How we treat our invalids - our mad, our physically or mentally compromised family members - does tell you something about who we are politically, historically, culturally.
It is a magic book. Words mean things. When you put them together they speak. Yes, sometimes they flatten out and nothing they say is real, and that is one kind of magic. But sometimes a vision will rip up from them and shriek and clank wings clear as the sweat smudge on the paper under your thumb. And that is another kind.
The poems ... are moments when I had the intensity to see, and the energy to build, some careful analog that completed the seeing. ... All I have been left is the exhausting habit of trying to tack up the slack in my life with words.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
You are writing for your contemporaries - not for Posterity. If you are lucky, your contemporaries will become Posterity.
The trick is not to become somebody else. You become somebody else when you're in front of a camera or when you're on stage. There are some people who carry it all the time. That, to me, is not acting.
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
I sit in the dark and wait for a little flame to appear at the end of my pencil.
I grew up never seeing myself on-screen, and it's really important to me to give people who look like me a chance to see themselves. I want to see myself as the hero of any story. I want to see myself save the world from the bomb.
Today's photographers think differently. Many can't see real light anymore. They think only in terms of strobe - sure, it all looks beautiful but it's not really seeing. If you have the eyes to see it, the nuances of light are already there on the subject's face. If your thinking is confined to strobe light sources, your palette becomes very mean - which is the reason I photograph only in available light.
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