You get to a certain age where you prepare yourself for happiness. Sometimes you never remember to actually get happy.
John MayerRead
I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.
Interpretation
The quote expresses the spontaneity of creativity and its emotional impact on others.
In this quote, John Mayer reflects on the essence of artistic expression, emphasizing that true music comes from genuine emotions experienced in the moment. He suggests that when artists authentically share their feelings through their work, it resonates with others, inspiring them to embrace the unpredictability of life and the possibilities it holds.
In practice
During a music workshop, you might share this quote to inspire participants to express their feelings authentically.
You get to a certain age where you prepare yourself for happiness. Sometimes you never remember to actually get happy.
The saddest kind of sad is the sad that tries not to be sad. You know, when sad tries to bite its lip and not cry, and smile and say, "No I'm happy for you"? Thats when it's really sad.
I'm trying everything I can not to be jaded 'cause I don't like jaded musicians.
In the quest to be clever, I completely forgot about the people that I love and that love me.
I'm getting to a point where everything is becoming streamlined in my life. I'm learning how to stand onstage for two hours and play in front of thousands of people as if I am completely in the moment every moment.
It's very liberating when you finally realize it's impossible to make everyone like you.
One can speak poetry just by arranging colors well, just as one can say comforting things in music.
Anybody with artistic ambitions is always trying to reconnect with the way they saw things as a child.
I mean, give me a guitar, give me a piano, give me a broom and string, I wouldn't get bored anywhere.
I pride myself on working with great musicians.
A woman’s beauty lies, not in any exaggeration of the specialized zones, nor in any general harmony that could be worked out by means of the sectio aurea or a similar aesthetic superstition; but in the arabesque of the spine. The curve by which the back modulates into the buttocks. It is here that grace sits and rides a woman’s body.
There can be no 'graduated exercises in drawing' leading up to an artistic creation. That goal can be attained only through the development of mechanical technique and through the freedom of the spirit.
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