I'm kind of a creature of the alt-weekly universe - my real education into higher culture was acquired in coffee shops, reading those papers, digging into that lively mishmash of opinion for drift, a sense of what to see, what to hear, what to read, etc. - and I'd like to think that scene's still vital, although I understand there's been a fair amount of conglomerating, which would seem to undercut its radical roots, its funky local flavor. I'd encourage any writer with an eye for life and an ear for prose to give it a try. You can work out your chops just fine in newsprint.
My presence isn't simply about "character" - I'm present in every part and particle of the thing, in the sound and rhythm of the sentences, in the sh… - Charles D'Ambrosio
My presence isn't simply about "character" - I'm present in every part and particle of the thing, in the sound and rhythm of the sentences, in the sh…
- Charles D'Ambrosio
We need to be ambivalent - in the essay, and in life too. Ambivalence - having mixed feelings, entertaining contradiction, living with fluctuation - … - Charles D'Ambrosio
We need to be ambivalent - in the essay, and in life too. Ambivalence - having mixed feelings, entertaining contradiction, living with fluctuation - …
Our nostalgic dreams of perfection thrive just as dangerously in the other direction too, in the imaginary future, that bold and tantalizing future w… - Charles D'Ambrosio
Our nostalgic dreams of perfection thrive just as dangerously in the other direction too, in the imaginary future, that bold and tantalizing future w…
Nowadays I imagine people find freer and more accepting venues in blogs, on Tumblr and Instagram and Facebook, in the riot of shouting that trails in… - Charles D'Ambrosio
Nowadays I imagine people find freer and more accepting venues in blogs, on Tumblr and Instagram and Facebook, in the riot of shouting that trails in…
Where exactly do you put your hands on somebody who hurts everywhere? - Charles D'Ambrosio
Where exactly do you put your hands on somebody who hurts everywhere?
Too much me is annoying under any circumstance, but too much me in an essay, however personal, would mar the art. My "character" in the essay is more… - Charles D'Ambrosio
Too much me is annoying under any circumstance, but too much me in an essay, however personal, would mar the art. My "character" in the essay is more…
I have lots of fiction in the drawer, but the essays I mostly kick out into the world, ready or not. Fiction incubates differently, I suppose. - Charles D'Ambrosio
I have lots of fiction in the drawer, but the essays I mostly kick out into the world, ready or not. Fiction incubates differently, I suppose.
Behind each piece, animating every attempt, is the echo of a precarious faith, that we are more intimately bound to one another by our kindred doubts… - Charles D'Ambrosio
Behind each piece, animating every attempt, is the echo of a precarious faith, that we are more intimately bound to one another by our kindred doubts…
The poet Amanda Nadelberg puts it nicely in an interview when she says "often what I listen for in poems is a sense that the writer is a little lost,… - Charles D'Ambrosio
The poet Amanda Nadelberg puts it nicely in an interview when she says "often what I listen for in poems is a sense that the writer is a little lost,…
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