I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
Robert RedfordRead
I'm not a lawyer, but I do know this: we need to protect our ability to tell controversial stories.
Interpretation
The quote emphasizes the importance of storytelling, especially when it challenges norms.
Robert Redford underscores the significance of having the freedom to share stories that provoke thought and challenge societal expectations. He implies that regardless of professional background, it is our responsibility to ensure that controversial narratives can be told without fear of censorship, as these stories often bring essential issues to light and contribute to cultural discourse.
In practice
Quoting this during a film festival to emphasize the value of artistic expression.
I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
People say I've gone against Hollywood, but I've tried to be independent within Hollywood, tried to be my own person.
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
For me, the Sundance Institute is just an extension of something I believed in, which is creating a mechanism for new voices to have a place to develop and be heard.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
Be careful of success; it has a dark side.
Singing intimately is almost like thinking into a microphone, so it helps to have the song buried inside you.
I am still a journeyman actor and a peace and justice activist. I'm a pilgrim trying to win my freedom and serve as best I can in the time I have, with this gift I've been given.
For the creation of a masterwork of literature two powers must concur, the power of the man and the power of the moment, and the man is not enough without the moment.
I had given up ( around 1950, fh) any ambition of making a career as an artistβ¦..I had lost all interest in the art shown in galleries and museums, and I no longer aspired to fit in that world. I loved the paintings done by children, and my only desire was to do the same for my own pleasure.
Writing is not a matter of choice. Writers have to write. It is somehow in their temperament, in the blood, in tradition.
I think I should have no other mortal wants, if I could always have plenty of music.
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