I'm not asking you to describe the rain falling the night the archangel arrived; I'm demanding that you get me wet. Make up your mind, Mr. Writer, and for once in your life be the flower that smells rather than the chronicler of the aroma. There's not much pleasure in writing what you live. The challenge is to live what you write.
Interpretation
This quote emphasizes the importance of experiencing life fully rather than merely describing it.
Eduardo Galeano's quote suggests that true writing comes from living vividly and experiencing emotions intensely. He argues that instead of just chronicling experiences like an observer, a writer should actively engage with life and embody the emotions and sensations they wish to convey in their work. This active participation will enrich their writing and connect them more deeply with their audience.
In practice
In a writing workshop, to encourage participants to engage deeply with their feelings.
Utopia is on the horizon. I move two steps closer; it moves two steps further away. I walk another ten steps and the horizon runs ten steps further away. As much as I may walk, I'll never reach it. So what's the point of utopia? The point is this: to keep walking.
It is highly improbable that the bureaucrat will put his life on the line. It is absolutely impossible that he'll put his job on the line.
We live in a world that treats the dead better than the living. We, the living are askers of questions and givers of answers, and we have other grave defects unpardonable by a system that believes death, like money, improves people.
History never really says goodbye. History says, 'See you later.'
The more freedom is extended to business, the more prisons have to be built for those who suffer from that business.
Utopia lies at the horizon. When I draw nearer by two steps, it retreats two steps. If I proceed ten steps forward, it swiftly slips ten steps ahead. No matter how far I go, I can never reach it. What, then, is the purpose of utopia? It is to cause us to advance.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
The naming of cats is a difficult matter. It isn't just one of your holiday games. You may think at first I'm mad as a hatter. When I tell you a cat must have three different names.
Eraserhead is my most spiritual movie. No one understands when I say that, but it is.
In my writing, as much as I could, I tried to find the good, and praise it.
Pertaining to a certain order of architecture, otherwise known as Normal American. Most of the public buildings of the United States are of the Ramshackle order, though some of our earlier architects preferred the Ironic. Recent additions to the White House in Washington are Theo-Doric, the ecclesiastic order of the Dorians. They are exceedingly fine and cost one hundred dollars a brick.
It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.
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