Music is in the air; it's my job to pull it out.
I'm not a star. I'll never be a Frank Sinatra or Elvis Presley or a Ray Charles. I'm just an imitator, man. I'm doing a very bad imitation on the bass of Jerry Jemmott, Bernard Odum, Jimmy Fielder, Jimmy Blanton, Igor Stravinsky, Jimi Hendrix, John Coltrane, James Brown, Charlie Parker... the cats, man. I'm just backing up the cats.
Interpretation
What this quote means
The quote expresses humility and recognition of others' greatness while acknowledging one's own limitations as an artist.
In this quote, Jaco Pastorius emphasizes the importance of acknowledging the artists who have inspired him and the pressure of living up to such legendary figures. He humbly describes himself not as a star but as an imitator, attributing his musical identity to the influences of great musicians while suggesting that his role is to support and complement the talents of others. This reflects a mindset of reverence and a desire to contribute to a larger artistic community rather than seeking individual fame.
Themes
In practice
Example use cases
This quote can be used in a music class to discuss the importance of musical influences and how artists build on each other's work.
More from Jaco Pastorius
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I think the problem with people, as they start to mature, they say, 'Rap is a young man's game,' and they keep trying to make young songs. But you don't know the slang - it changes every day, and you're just visiting. So you're trying to be something you're not, and the audience doesn't buy into that.
When I sang my father's songs in concert, that was all people wanted to hear. I was always asking myself, 'Can I measure up?'
When one knows at an early age that their gift, talent and direction is musical, one tends to focus on that and let nothing interfere or impede the forward motion toward the end of that rainbow. And after 50-something years of rockin' out, you still realise there is no end to that distant rainbow until one's last sunset.
It's always beautiful to sing with other great voices. I like voices in general. It's a big privilege to have great singers next to me.
In hindsight, if I could go back in time and relay a message to my younger self, I would tell him to work on his time keeping, and that the job of a drummer is not to be the one that gets noticed the most on stage, or to be the fastest, or the loudest. Above all, it is to be the timekeeper.
When I play, maybe 'Back o' Town Blues,' I'm thinking about one of the old, low-down moments - when maybe your woman didn't treat you right. That's a hell of a moment when a woman tell you, 'I got another mule in my stall.'