As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.
Audrey HepburnRead
If I'm honest I have to tell you I still read fairy-tales and I like them best of all.
Interpretation
The quote expresses a fondness for fairy-tales, suggesting that there is value and joy in imagination and storytelling.
Audrey Hepburn's quote reflects a deep appreciation for the simplicity and joy found in fairy-tales, which often convey timeless truths and evoke nostalgia. By admitting her love for these stories, Hepburn highlights the significance of imagination and the comfort that comes from embracing the fantastical, suggesting that such stories offer wisdom and solace regardless of age.
In practice
In a speech about the importance of creativity, I might say, 'If I'm honest, I have to tell you I still read fairy-tales and I like them best of all.'
As you grow older, you will discover that you have two hands, one for helping yourself, the other for helping others.
True beauty in a woman is reflected in her soul.
On the one hand maybe Iβve remained infantile, while on the other I matured quickly, because at a young age I was very aware of suffering and fear.
This is what you do on your very first day in Paris. You get yourself, not a drizzle, but some honest-to-goodness rain, and you find yourself someone really nice and drive her through the Bois de Boulogne in a taxi. The rain's very important. That's when Paris smells its sweetest. It's the damp chestnut trees.
I speak for those children who cannot speak for themselves, children who have absolutely nothing but their courage and their smiles, their wits and their dreams.
Good things aren't supposed to just fall into your lap. God is very generous, but He expects you to do your part first.
The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.
What the poet is searching for_x000D_ is not the fundamental I_x000D_ but the deep you.
Variety is more than a means of avoiding boredom, since art is more than an entertainment of the senses.
Forcing yourself to use restricted means is the sort of restraint that liberates invention. It obliges you to make a kind of progress that you can't even imagine in advance.
We must never confuse elegance with snobbery.
If you are not moved by the character, no amount of CGI will give you a performance that is emotionally engaging or devastating - what a live-action performance does.
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