When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.
Roberto BenigniRead
I'm a storyteller: the crux of the matter is to reach beauty, poetry; it doesn't matter if that is comedy or tragedy. They're the same if you reach the beauty.
Interpretation
Storytelling aims to evoke beauty and poetry, regardless of whether the narrative is comedic or tragic.
Roberto Benigni emphasizes that the essence of storytelling lies in its ability to convey beauty and poetry, transcending the boundaries between comedy and tragedy. The emotional depths of a story, whether it elicits laughter or sorrow, can ultimately lead to a profound appreciation of beauty, highlighting the universal nature of human experience in art.
In practice
During a creative writing workshop, I quoted Benigni to encourage participants to embrace both humor and sorrow in their narratives.
When I was a little boy, I was reading Dante and I was saying to myself 'Bravo, Dante, Bravo.' It's so beautiful, the music, the sound, the meaning. I felt like calling him by phone, like a friend.
In Italy, the country where fascism was born, we have a particular relation with the Holocaust, but as a turning point in history it belongs to everybody in the world. It is a part of humanity.
Only comedians can talk about death, life, God and Virgin Mary. If I was a tragic actor, I couldn't allow myself. But with this accent I can do it. I can talk with death in person because I am a clown. Yes. And I am proud to be a clown - very much.
When we talk to somebody and we want to be nice or polite or show our more beautiful side, we try to use the best words that we know. This is what poets are doing. They are cleaning the words, they are inventing the sentiments, they are giving us a way to communicate.
I wonder anybody does anything at Oxford but dream and remember, the place is so beautiful. One almost expects the people to sing instead of speaking. It is all like an opera.
Magic has universal appeal. I don't believe in magic in the way that I describe in my books, but I'd love it to be real.
I always like the studio best, once I got the hang of it and the control. I like it because it's complete control
The job of the novelist is to invent: to embroider, to color, to embellish, to entertain, to make things up. The art of what I do lies not in research or even recollection but primarily in invention.
The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee.
I think every artist subconsciously wants to evolve themselves. Sometimes they get stuck in ruts because of pop culture, peer pressure, stuff like that. But what excites me most is exploring my own musical insights and expanding upon them.
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