In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.
Virginia PostrelRead
By binding image and desire, glamour gives us pleasure, even as it heightens our yearning. It leads us to feel that the life we dream of exists, and to desire it even more.
Interpretation
Glamour amplifies our desires and dreams, creating a sense of pleasure from what we aspire to in life.
In this quote, Virginia Postrel explores the concept of glamour as a powerful force that intertwines images of desire with our perceptions of pleasure. Glamour not only makes our aspirations feel tangible but also deepens our longing for those aspirations, suggesting that the allure of what we desire can motivate us to pursue a more fulfilling life, even as it makes us aware of what we lack.
In practice
In a motivational speech about personal aspirations and the pursuit of dreams.
In a media culture, we not only judge strangers by how they look but by the images of how they look. So we want attractive pictures of our heroes and repulsive images of our enemies.
Glamour doesn’t just happen, people don’t wake up in the morning glamorous.
With its fluctuating forms and needless decoration, fashion epitomizes the supposedly unproductive waste that inspired 20th-century technocrats to dream of central planning. It exists for no good reason. But that's practically a definition of art.
A world of few choices, whether in jeans or mates, is a world in which individual differences become sources of alienation, unhappiness, even self-loathing. If no jeans fit, you'll feel uncomfortable or inferior. If no housing developments reflect your taste for unique architecture, you'll write screeds against philistine mass culture.
Most of us cluster somewhere in the middle of most statistical distributions. But there are lots of bell curves, and pretty much everyone is on a tail of at least one of them. We may collect strange memorabilia or read esoteric books, hold unusual religious beliefs or wear odd-sized shoes, suffer rare diseases or enjoy obscure movies.
'Frankenstein' did not invent the fear of science; the novel found its audience because it dramatized anxieties that already existed. Although popular entertainment can, over the long run, shape public perceptions, it becomes popular in the first place only if it addresses preexisting hopes, fears, and fascinations.
Where perception is, there also are pain and pleasure, and where these are, there, of necessity, is desire.
I am the son of the road , my country is a caravan and my life is the most unexpected of voyages. i belong to earth and to the god and it is to them that I will one day soon return
Magic is the science of the jungle.
The vitality of thought is in adventure. Idea's won't keep. Something must be done about them. When the idea is new, its custodians have fervour, live for it, and, if need be, die for it. Their inheritors receive the idea, perhaps now strong and successful, but without inheriting the fervour; so the idea settles down to a comfortable middle age, turns senile, and dies.
I think of myself as living so much outside borders or old categories that I choose as my leaders U2, the Dalai Lama, Vaclav Havel, Sigur Ros, Desmond Tutu, Barack Obama, and the girl next door. By definition, in short, my leaders are the ones who think in terms larger, and more intimate, than any country.
I used to tell women graduate students, half-seriously, that the role of slightly rebellious daughter was one of the better roles for women living in patriarchy.
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