Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
John KeatsRead
My imagination is a monastery and I am its monk.
Interpretation
The quote expresses the artist's view of imagination as a sacred space for creativity and contemplation.
In this quote, John Keats illustrates the concept of imagination as a secluded and sacred space, much like a monastery. The comparison to a monk signifies dedication, discipline, and a monastic commitment to nurturing oneβs creative and imaginative abilities, suggesting that true artistry stems from such introspective exploration and solitude.
In practice
This quote can be shared in an art class to inspire students to value their imaginative processes.
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
Are there not thousands in the world who love their fellows even to the death, who feel the giant agony of the world, and more, like slaves to poor humanity, labor for mortal good?
Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it β make it rich as a draught of poppies to intoxicate me βwrite the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.
Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably
I think we may class the lawyer in the natural history of monsters.
...I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them.
I personally tend to be drawn to stories that aren't paid much attention to, or stories that aren't on people's radar.
I am never going to write for the sake of writing.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
This strange business of what it is to be a writer is this increasingly insane world in which we live, in which surrealism, it seems, is the new realism.
It is not architectural achievement that makes the structures of earlier times seem to us so full of significance but the circumstance that antique temples, Roman basilicas, and even the cathedrals of the Middle Ages are not the works of single personalities but creations of entire epochs.
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