We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
Kazuo IshiguroRead
I do not think I responded immediately, for it took me a moment or two to fully digest these words of Miss Kenton. Moreover, as you might appreciate, their implications were such as to provoke a certain degree of sorrow within me. Indeed- why should I not admit it? - at that moment, my heart was breaking.
Interpretation
The quote reflects on the deep emotional impact of hearing words that resonate with personal feelings and memories.
In this quote, the speaker reveals the powerful effect that specific words can have on one's emotions, particularly in the context of a significant relationship. The delay in response indicates a deep contemplation of the words spoken, which carry weighty implications, stirring up sorrow and a sense of loss. The admissions of heartbreak underscore the intensity of these feelings, highlighting how verbal expressions can evoke profound memories and feelings of longing.
In practice
In a speech about emotional vulnerability during a relationship seminar.
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
You need to remember that. If you’re to have decent lives, you have to know who you are and what lies ahead of you, every one of you.
I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.
What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.
If you were a boy and a girl and you were in love with each other, really, properly in love, and if you could show it, then the people who run Hailsham, they sorted it out for you. They sorted it out so you could have a few years together before you began your donations.
We all live inside bodies that will deteriorate. But when you look at human beings, they're capable of very decent things: love, loyalty. When time is running out, they don't care about possessions or status. They want to put things right if they've done wrong.
Only enemies speak the truth; friends and lovers lie endlessly, caught in the web of duty.
If you cannot mould yourself entirely as you would wish, how can you expect other people to be entirely to your liking?
We think constant connection will make us feel less lonely. The opposite is true.
A very long time ago, Grandmother had wanted to tell about all the things they did, but no one had bothered to ask. And now she had lost the urge.
She spoke quietly then, the tiniest crack in her voice, and all at once Lacey Pemerton was not Lacey Pemberton. She was just—like, a person.
She had always been too wise to tell him all she thought and felt, knowing by some intuition of her own womanhood that no man wants to know everything of any woman.
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