I am not immune to the lure of a signed record, flier or set list. The fact that your music heroes potentially had, in their own hands, the record you now have in yours is kind of cool. When the musician has departed, it can give the thing a unique power.
Interpretation
Appreciating the connection between music and its physical memorabilia.
Henry Rollins expresses a sentiment about how owning a signed record or set list from a musician can create a special connection to that artist. The physical items carry a unique power and significance, especially after the musician's passing, as they embody a piece of their legacy and talent.
In practice
Using this quote during a presentation about the significance of music memorabilia.
Some people see Black Friday as a much-needed break for their wallet. I see it as retail outlets showing the customers the full weight of their contempt. The frenzy to buy cheap crap from China, the human downgrade of people fighting with each other over items they can probably live without, to me, is an insult.
Strength is the product of struggle, you must do what others don't to achieve what others won't.
Sitting in a room, alone, listening to a CD is to be lonely. Sitting in a room alone with an LP crackling away, or sitting next to the turntable listening to a song at a time via 7-inch single is enjoying the sublime state of solitude.
When the Iron doesn't want to come off the mat, it's the kindest thing it can do for you. If it flew up and went through the ceiling, it wouldn't teach you anything.
If you paid Americans a living wage, they would be able to pay for products made by Americans in America.
If I lose the light of the sun, I will write by candlelight, moonlight, no light. If I lose paper and ink, I will write in blood on forgotten walls. I will write always. I will capture nights all over the world and bring them to you
Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.
As a child, I was taught that it was bad manners to bring attention to yourself, and to never, ever make a spectacle of yourself ... All of which I've earned a living doing.
I look at my voice and my abilities as a gift. I don't feel that I can even take any credit for it, but it's such a huge presence in my life. It is my life. It's my identity, it's everything. And it's given me a great deal of joy and a sense of purpose - I can't imagine my life without it.
Our utilitarian structures will mature into architecture only when, through their fulfillment of function, they become carriers of the will of the age.
When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.
It was my father's hope, and it is ours, that the National Gallery would become not a static but a living institution, growing in usefulness and importance to artists, scholars and the general public.
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