It is my feeling that a story is not finished until it is read, and that the reader finishes it through his or her life experience, prejudices, worldview and thoughts.
Annie ProulxRead
I think it's important to leave spaces in a story for readers to fill in from their own experience.
Interpretation
Encouraging readers to engage personally with a story enhances their experience and understanding.
Annie Proulx emphasizes the importance of allowing readers to interpret and connect with a narrative through their own experiences. By leaving gaps in the story, the author invites individual perspectives, making the reading experience more personal and impactful, as each reader can project their own thoughts and feelings onto the story.
In practice
In a writing workshop, this quote can inspire authors to consider the emotional involvement of their audience.
It is my feeling that a story is not finished until it is read, and that the reader finishes it through his or her life experience, prejudices, worldview and thoughts.
No wonder, he thought, that the panhandle people were a godly lot, for they lived in sudden, violent atmospheres. Weather kept them humble.
You should write because you love the shape of stories and sentences and the creation of different words on a page. Writing comes from reading, and reading is the finest teacher of how to write.
If a piece of knotted string can unleash the wind, and if a drowned man can awaken, then I believe a broken man can heal.
But the only rhyme he could summon for 'out' was 'sauerkraut,' which lacked poetic glory. He let it go. The right line would come in time. That was the thing about poetry. It crept up through the draws and coulees of the brain.
It takes a year, nephew... a full turn of the calendar, to get over losing someone.
Remember crime against property is not real crime. People look at an oil painting and admire the use of brushstrokes to convey meaning. People look at a graffiti painting and admire the use of a drainpipe to gain access.
I write what feels real. I write things that are informed both by my own experience and by actual history.
I think the line is where you're in the studio, you're creating. That belongs to you as an artist. Nothing should taint that. I shouldn't be thinking about what the fans want, I shouldn't be thinking about what the radio wants, what the label wants, what your manager wants, a song for the chicks, a song for the street.
I used to try and concentrate the poem so much that there wasn't a word that wasn't essential. This leads to becoming boring and constipated.
Black-and-whit e always looks modern, whatever that word means.
How do you explain what it feels like to get on the stage and make poetry that you know sinks into the hearts and souls of people who are unable to express it
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