A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
Mike NicholsRead
Improvisation has to do with exploring something like two brothers in a room together. You find out things about situations by discovering the things that they aren't saying. It's a way to explore scenes. Sometimes it's more useful than others, but it's always there to see if there's anything that you might improve.
Interpretation
Improvisation allows for deeper exploration of unspoken dynamics in creative situations.
This quote highlights the importance of improvisation as a method for uncovering underlying truths and dynamics in creative work, likening it to the relationship between two brothers in a room. It suggests that through improvisation, one can discover insights that may not be explicitly stated, emphasizing the value of spontaneity and exploration in artistic expression.
In practice
During a theater workshop, the facilitator quoted this to encourage actors to embrace spontaneity.
A play, after all, is a mystery. There's no narration. And as soon as there's no narration, it's open to interpretation. It must be interpreted. You don't have a choice... Each play can become many things.
There’s nothing better than discovering, to your own astonishment, what you’re meant to do. It’s like falling in love.
You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
The thing about being an outsider... is that it teaches you to hear what people are thinking because you're constantly looking for the people who just don't give a damn.
I've learned that many of the worst things lead to the best things, that no great thing is achieved without a couple of bad, bad things on the way to them, and that the bad things that happen to you bring, in some cases, the good things.
Plays, especially great plays, yield their secrets over a long period of time. You can't read it three times and say, 'OK, I got it. I know what's happening.'
I truly believe that the job of an actor and the drive of an actor is simulating the internal journey in life which is to get deeper and deeper into our understanding of who we are.
Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.
To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event.
My way of photographing is my way of life. I photograph from my experience, my way of seeing things.
Do I feel that white directors have to tell only white stories? No. Do I feel that black filmmakers should only tell stories about black people? No. If we say that, then that means Asian people cannot write about anybody but Asians. I don't think a woman should only write about women.
To destroy is always the first step in any creation.
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