In f-major, c* is a sonority contained within the overtones of the tonic f*.
When reason and instinct are reconciled, there will be no higher appeal. - Jean-Philippe Rameau
When reason and instinct are reconciled, there will be no higher appeal.
- Jean-Philippe Rameau
In f-major, c* is a sonority contained within the overtones of the tonic f*. - Jean-Philippe Rameau
Verse, singing, and speech have a common origin. - Jean-Philippe Rameau
Verse, singing, and speech have a common origin.
We must have recourse to the rules of music when our genius and our ear seem to deny what we are seeking. - Jean-Philippe Rameau
We must have recourse to the rules of music when our genius and our ear seem to deny what we are seeking.
I try to conceal art with art. - Jean-Philippe Rameau
I try to conceal art with art.
Therefore we well observe that the title of perfect cadence is attached only to a dominant that progresses to the main tone, because this dominant, w… - Jean-Philippe Rameau
Therefore we well observe that the title of perfect cadence is attached only to a dominant that progresses to the main tone, because this dominant, w…
Music is a science which should have definite rules; these rules should be drawn from an evident principle; and this principle cannot really be known… - Jean-Philippe Rameau
Music is a science which should have definite rules; these rules should be drawn from an evident principle; and this principle cannot really be known…
Rhythm and sounds are born with syllables. - Jean-Philippe Rameau
Rhythm and sounds are born with syllables.
Emphasis on the common emotive or affective origins of music and words in the first cries of humankind undermines words. - Jean-Philippe Rameau
Emphasis on the common emotive or affective origins of music and words in the first cries of humankind undermines words.
Login to join the discussion
Login to join the discussion