Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Indeed, as any one who has ever worked among the poor knows only too well, the brotherhood of man is no mere poet's dream, it is a most depressing and humiliating reality.
Interpretation
The quote reflects the harsh truth of human existence and the struggles faced by the poor, contrasting idealism with reality.
In this quote, Oscar Wilde emphasizes that the concept of 'the brotherhood of man' is not just an idealistic notion often romanticized by poets, but rather a sobering reality that exposes the hardships and humiliations experienced by those who are less fortunate. Wilde's statement serves as a critique of society's neglect of the poor and compels us to confront the uncomfortable truths of social inequality.
In practice
In a charity event speech to highlight the need for social justice.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
Justice is the grammar of things. Mercy is the poetry of things.
Everything I do is somehow rooted in humanity. It's always about people; it's always about ego. It's always about desperation. It's quite existential. You know, 'Am I leading a good life?' That might be because I'm an atheist, and I think this is all we've got, so you better be nice. And have fun.
Whether there is such a thing as Reality, of which the various levels are only partial aspects, or whether there are only levels, is something that literature cannot decide. Literature recognizes rather the *reality of the levels.*
War and culture, those are the two poles of Europe, her heaven and hell, her glory and shame, and they cannot be separated from one another. When one comes to an end, the other will end also and one cannot end without the other. The fact that no war has broken out in Europe for fifty years is connected in some mysterious way with the fact that for fifty years no new Picasso has appeared either.
Absent the edge, we drown in numbness.
I study religion because I find it fascinating and problematic. But I struggle with the idea of what religion is, what being religious means. A lot of people assume that if you write about early Christianity, you must be some kind of Sunday-school teacher.
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