I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze the time period with comparisons to the figure and the facial structure. It helps to be comfortable with computers because the massive amount of research is kept electronically and shared with my staff this way. Very little is printed out. I work with an illustrator to come up with the proper silhouettes and details of the clothing from the time period to time period. And on and on.
I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze th… - Ruth E. Carter
I begin with understanding the intentions of the story. That helps me to zero in. Then I gather research for each individual character and analyze th…
- Ruth E. Carter
I am a slave to fashion. I love to get into what's hot and current when I dress myself or somebody else. Usually, it's someone else because I'm const… - Ruth E. Carter
I am a slave to fashion. I love to get into what's hot and current when I dress myself or somebody else. Usually, it's someone else because I'm const…
You collaborate with actors who are also talented and visionary and come together on a artistic direction within the confines of humanity and realism… - Ruth E. Carter
You collaborate with actors who are also talented and visionary and come together on a artistic direction within the confines of humanity and realism…
My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the char… - Ruth E. Carter
My favorite part about costume designing is the artistry of the job. You meet with a director and a visionary to discuss ideas. You research the char…
The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutra… - Ruth E. Carter
The color palette grew as the story progressed. The 1920's sharecroppers were muted and neutrals, the 30's and 40's introduced burgundy to the neutra…
The hats of all eras thrill me. People don't wear them anymore. So when you see an outfit completed by a hat (that's for men too) it's thrilling. Esp… - Ruth E. Carter
The hats of all eras thrill me. People don't wear them anymore. So when you see an outfit completed by a hat (that's for men too) it's thrilling. Esp…
I think that The Great Gatsby has had some influence on contemporary dressing. I'm seeing more boyish haircuts and drop-waist sheath dresses. - Ruth E. Carter
I think that The Great Gatsby has had some influence on contemporary dressing. I'm seeing more boyish haircuts and drop-waist sheath dresses.
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