An interlude of false innocence has passed. Today, as we enter the post-photographic era, we must face once again the ineradicable fragility of our ontological distinctions between the imaginary and the real, and the tragic elusiveness of the Cartesian dream. We have indeed learnt to fix the shadows, but not to secure their meanings or to stabilize their truth values; they still flicker on the walls of Plato's cave.
There is no magical solution because urban traffic congestion arises from the fact that a lot of people want to be in the same place at the same time… - William J. Mitchell
There is no magical solution because urban traffic congestion arises from the fact that a lot of people want to be in the same place at the same time…
- William J. Mitchell
Most automobiles spend about 80 percent of their time sitting around doing nothing. They're gasoline powered; they go to very high speeds, which in f… - William J. Mitchell
Most automobiles spend about 80 percent of their time sitting around doing nothing. They're gasoline powered; they go to very high speeds, which in f…
The relation of photography and language is a principal site of struggle for value and power in contemporary representations of reality; it is the pl… - William J. Mitchell
The relation of photography and language is a principal site of struggle for value and power in contemporary representations of reality; it is the pl…
Everybody thinks an automobile needs an engine. Well, an automobile doesn't necessarily need an engine. What we do is shift electric motors into the … - William J. Mitchell
Everybody thinks an automobile needs an engine. Well, an automobile doesn't necessarily need an engine. What we do is shift electric motors into the …
Exile is a series of photographs without texts. - William J. Mitchell
Exile is a series of photographs without texts.
We [MIT Smart Cities research group] try to identify the fundamental underlying design assumptions that everybody takes as a sort of given and unchal… - William J. Mitchell
We [MIT Smart Cities research group] try to identify the fundamental underlying design assumptions that everybody takes as a sort of given and unchal…
An interlude of false innocence has passed. Today, as we enter the post-photographic era, we must face once again the ineradicable fragility of our o… - William J. Mitchell
An interlude of false innocence has passed. Today, as we enter the post-photographic era, we must face once again the ineradicable fragility of our o…
Photography is and is not a language; language also is and is not a photography. - William J. Mitchell
Photography is and is not a language; language also is and is not a photography.
What we need is a critique of visual culture that is alert to the power of images for good and evil and that is capable of discriminating the variety… - William J. Mitchell
What we need is a critique of visual culture that is alert to the power of images for good and evil and that is capable of discriminating the variety…
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