How should we judge what we see? More intimately, let us consider the vulnerability of the human body and soul under these circumstances. It’s all creation. It’s made. It’s not a given.
[I]n general, my work is less about expanding the possibilities of photography than about re-investing it with a truer perception of things by return… - Thomas Struth
[I]n general, my work is less about expanding the possibilities of photography than about re-investing it with a truer perception of things by return…
- Thomas Struth
The portrait is the subject matter in photography where the problems of the media are the most visible. - Thomas Struth
The portrait is the subject matter in photography where the problems of the media are the most visible.
[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid photographs it … - Thomas Struth
[When] I am taking a photograph, I am conscious that I am constructing images rather than taking snapshots. Since I do not take rapid photographs it …
I wanted to make photographs in which everything was so complex and detailed that you could look at them forever and never see everything. - Thomas Struth
I wanted to make photographs in which everything was so complex and detailed that you could look at them forever and never see everything.
How should we judge what we see? More intimately, let us consider the vulnerability of the human body and soul under these circumstances. It’s all cr… - Thomas Struth
How should we judge what we see? More intimately, let us consider the vulnerability of the human body and soul under these circumstances. It’s all cr…
The point at which the photograph ceases to function as a metaphor is the point at which it is free to propose an experiential model. - Thomas Struth
The point at which the photograph ceases to function as a metaphor is the point at which it is free to propose an experiential model.
If I look at my work from the beginning it is more the idea of trying to establish a kind of material that one can work with for the future, rather t… - Thomas Struth
If I look at my work from the beginning it is more the idea of trying to establish a kind of material that one can work with for the future, rather t…
For me, making a photograph is mostly an intellectual process of understanding people or cities and their historical and phenomenological connections… - Thomas Struth
For me, making a photograph is mostly an intellectual process of understanding people or cities and their historical and phenomenological connections…
I'm interested in photographs that have no personal signature. - Thomas Struth
I'm interested in photographs that have no personal signature.
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