Words can fall hard like a boulder loosed from a cliff. Words can drift unnoticed like a weed seed on a breeze. Words can sing.
Shannon HaleRead
I’ve always believed that as an author, I do 50% of the work of storytelling, and the reader does the other 50%. There’s no way I can control the story you tell yourself from my book. Your own experiences, preferences, prejudices, mood at the moment, current events in your life, needs and wants influence how you read my every word.
Interpretation
Storytelling is a collaborative process between the author and the reader.
In this quote, Shannon Hale emphasizes the idea that storytelling is not solely the responsibility of the author; rather, it is a joint effort with the reader playing a crucial role in interpreting and internalizing the narrative. Each individual's personal experiences, emotions, and circumstances shape their understanding of a story, highlighting the subjective nature of literature and how it resonates differently with each person.
In practice
During a book club discussion, one might reference this quote to highlight different interpretations of a story.
Words can fall hard like a boulder loosed from a cliff. Words can drift unnoticed like a weed seed on a breeze. Words can sing.
The rewrites are a struggle right now. Sometimes I wish writing a book could just be easy for me at last. But when I think about it practically, I am glad it's a struggle. I am (as usual) attempting to write a book that's too hard for me. I'm telling a story I'm not smart enough to tell. The risk of failure is huge. But I prefer it this way. I'm forced to learn, forced to smarten myself up, forced to wrestle. And if it works, then I'll have written something that is better than I am.
People ask me if there are going to be stories of Harry Potter as an adult. Frankly, if I wanted to, I could keep writing stories until Harry is a senior citizen, but I don't know how many people would actually want to read about a 65 year old Harry still at Hogwarts playing bingo with Ron and Hermione.
It's really irritating when you open a book, and 10 pages into it you know that the hero you met on page one or two is gonna come through unscathed, because he's the hero. This is completely unreal, and I don't like it.
Size matters in fiction, but so does lack of size. Everything else being equal, fat novels tend to be perceived as serious, very thin ones as more honest, more real. Writers address these age-old expectations by filling their big books with philosophy and cramming their little ones with feeling.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The difference between memoir and autobiography, as far as I see it, is that a memoir is there primarily to tell one particular story, whereas an autobiography tries to be a full account of a life.
When I wrote 'Lord of the Flies' - I had no idea it would even get published.
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