All I’ve ever wanted to do is take stills of people, or take documentaries about people, and try to express to an audience how somebody lives next door. You know what I mean? Just how similar we all are as individuals.
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Your whole life informs your eye.
Maybe that sounds a bit pretentious, but I think life experience is always more important than technical knowledge.
Every shot I have ever made has been a compromise in some way. No image has ever been as good as the one I envisioned in my mind's eye.
Someone said to me, early on in film school... if you can photograph the human face you can photograph anything, because that is the most difficult and most interesting thing to photograph.
I don't really believe in the mystery of cinematography - what happens in the camera is what the cinematographers create and all that nonsense.
The balance of the frame - the way an actor is relating to the space in the frame - is the most important factor in helping the audience feel what the character is thinking.
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