I've been getting interested in reimagining folk songs and writing songs that should have existed but didn't, particularly around the Civil War when black voices were muted and only allowed particular channels.
Interpretation
Rhiannon Giddens expresses her desire to give voice to untold stories from the Civil War era through her music.
In this quote, Rhiannon Giddens reflects on her creative process of reinterpreting traditional folk songs and composing new pieces that imagine the voices and experiences of marginalized groups during the Civil War. She emphasizes the importance of resurrecting silenced narratives, particularly those of black individuals who were historically overlooked in mainstream music and culture, thereby highlighting the urgent need to acknowledge and celebrate their stories through artistic expression.
In practice
During a lecture on music history, this quote can be used to illustrate how artists reshape narratives.
When I first heard the minstrel banjo - I played a gourd first - I almost lost my mind. I was like, Oh, my god. And then I went to Africa, to the Gambia, and studied the akonting, which is an ancestor of the banjo, and just that connection to me was just immense.
I think it's important that everybody has access to music, and not just people who live in cities or who can afford to drive to the nearest city.
In order to understand the history of the banjo, and the history of bluegrass music, we need to move beyond the narrative we've inherited, beyond generalizations that bluegrass is mostly derived from a Scotch-Irish tradition with influences from Africa. It is actually a complex Creole music that comes from multiple cultures.
The question is not how do we get diversity into bluegrass, but how do we get diversity back into bluegrass?
Never let the horns and woodwinds out of your sight; if you can hear them at all, they are too loud.
We weren't listening to guitar bands, we were thoroughly ashamed of being a guitar band. So we bought loads of keyboards and learned how to use them, and when we got bored we went back to guitars.
We may be sure that a genius like Mozart, were he born today, would write concertos like Chopin and not like Mozart.
Playing live is what it's all about for me. It's cathartic, it's emotional, it's about communing with people. The way you feel after a gig is a such a powerful thing.
The majority of juice-heads and winos and junkies arent musicians.
Hail, hail rock and roll / Deliver me from the days of old.
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