I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.
Martin McdonaghRead
I guess I've accepted that theatre is never going to be edgy in the way I want it to be. It's too expensive for a start. And, the audience seems to be complicit in the dullness.
Interpretation
The quote reflects the author's frustration with the lack of edginess in theatre, attributing it to high costs and a passive audience.
Martin McDonagh expresses a sense of resignation regarding the state of theatre, suggesting that its inherent costs prevent it from being provocative or challenging. He also hints that the audience's acceptance of less daring productions contributes to this stagnation, implying that both the economic structure and the audience's expectations shape the artistic landscape in a way that limits bold creativity.
In practice
This quote can be referenced during a discussion on the future of theatre and its artistic direction.
I think if you're writing a play, it should be its own end game; you'll never get to do a good one unless you know it's not a blueprint for a film; you're not going to get the action right and the story right.
Though it may not seem like it, I never try to write about a place, per se; it's always, first and last, about story. Story is everything. Story and a bit of attitude.
There have to be moments when you glimpse something decent, something life-affirming even in the most twisted character. That's where the real art lies. See, I always suspect characters who are painted as lovely, decent human beings. I would always question where the darkness lies.
Film seems to be a medium designed for betrayal and violence.
A poet's work is to name the unnamable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.
All the seven deadly sins are peccadilloes but without three of them, Pride, Lust, and Sloth, poetry might never have been born.
My Advice to Young Filmmakers is This: Don't Follow Trends. Start Them!
When Basquiat was hanging out with Madonna and Fab Five Freddy, and all those worlds were colliding, people have to realize hip-hop and the arts were like this 'cause we both were outcasts: we wasn't allowed inside the galleries or inside Yankee Stadium. We were writing in the street and making music.
I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.
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