In Japan, you get on the bullet train or the airplane, and I loved the little speeches the stewardesses would do. They even do little speeches before you play gigs.
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There's an infinite amount of possibilities and detours and things that can distract you from actually just performing the song and having whatever emotion that's invested into the song come through in the recording.
Two men look out the same prison bars; one sees mud and the other stars.
Anything goes. You always find interesting things that way.
I think my whole generation's mission is to kill the cliche.
The limitations are limitless.
I'm just taking one step at a time. I could zigzag one way, but it's not usually on purpose.
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