Maybe that's what these films are doing. They are my way of blessing the child
Hayao MiyazakiRead
But remember this, Japanese boy... airplanes are not tools for war. They are not for making money. Airplanes are beautiful dreams. Engineers turn dreams into reality.
Interpretation
Hayao Miyazaki emphasizes the beauty and creativity of airplanes rather than their utility in war or business.
This quote by Hayao Miyazaki reflects on the intrinsic beauty of airplanes, highlighting that they should be seen as embodiments of human dreams and creativity rather than mere instruments for conflict or profit. Miyazaki, known for his imaginative storytelling, urges us to appreciate the artistry and passion that goes into engineering and the realization of our aspirations through technology.
In practice
This quote can be used to inspire students in an aviation class to appreciate the artistry of flight.
Maybe that's what these films are doing. They are my way of blessing the child
I wanted to convey the message to children that this life is worth living.
You must see with eyes unclouded by hate. See the good in that which is evil, and the evil in that which is good. Pledge yourself to neither side, but vow instead to preserve the balance that exists between the two.
I’d like to see Manhattan underwater. I’d like to see when the human population plummets and there are no more high rises, because nobody’s buying them. I’m excited about that. Money and desire—all that is going to collapse, and wild green grasses are going to take over.
To be born means being compelled to choose an era, a place, a life. To exist here, now, means to lost the possibility of being countless other potential selves.. Yet once being born there is no turning back. And I think that's exactly why the fantasy worlds of cartoon movies so strongly represent our hopes and yearnings. They illustrate a world of lost possibilities for us.
The villains are all parts of me. For years I've been wondering what it would be like if all those negative elements were forced onto the main character's side. I can understand a character with that kind of anger.
An essential element of any art is risk. If you don't take a risk then how are you going to make something really beautiful, that hasn't been seen before?
I have always wanted my art to service my people - to reflect us, to relate to us, to stimulate us, to make us aware of our potential. We have to create an art for liberation and for life.
There is material enough in a single flower for the ornament of a score of cathedrals.
It's not just songs and glamour. It's sweat, blood, broken toes, and mistakes... It's life.
It interests me to imagine characters shifting from one situation and one location to another for whatever the circumstances may be.
From things that have happened and from things as they exist and from all things that you know and all those you cannot know, you make something through your invention that is not a representation but a whole new thing truer than anything true and alive, and you make it alive, and if you make it well enough, you give it immortality.
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