No rules. Don't be afraid to do whatever you want. Cooking doesn't have to have rules. I don't like it that way.
Masaharu MorimotoRead
Japanese chefs believe our soul goes into our knives once we start using them. You wouldn't put your soul in a dishwasher!
Interpretation
The quote emphasizes the deep connection between a chef and their tools, suggesting that care and intention are essential in culinary artistry.
Masaharu Morimoto highlights the profound relationship between a chef and their knives, suggesting that a chef's spirit and dedication are infused into their tools as they work. This connection implies that using a dishwasher, which removes the personal touch and neglects the importance of craftsmanship, would not be an appropriate way to treat instruments that hold such significance in the cooking process.
In practice
Sharing this quote in a cooking class to emphasize the importance of using quality tools.
No rules. Don't be afraid to do whatever you want. Cooking doesn't have to have rules. I don't like it that way.
I'm not a fighter, but in my mind I'm fighting every day. 'What's new? What am I doing?' I'm fighting myself. My soul is samurai. My roots aren't samurai, but my soul is.
All art should have a certain mystery and should make demands on the spectator. Giving a sculpture or a drawing too explicit a title takes away part of that mystery so that the spectator moves on to the next object, making no effort to ponder the meaning of what he has just seen. Everyone thinks that he or she looks but they don't really, you know.
Even a really bad creator would at least have started with Earth, Air, Fire, Water and Surprise.
Poverty is the discoverer of all the arts.
That's the secret of how to enjoy writing and how to make yourself meet high standards," said Mrs. Berman. "You don't write for the whole world, and you don't write for ten people, or two. You write for just one person.
Great work comes from great joy. Leave the angst for the movies; do art - that is fun.
Angel and Muse approach from without; the Angel sheds light and the Muse gives form (Hesiod learned of them). Gold leaf or chiton-folds: the poet finds his models in his laurel coppice. But the Duende, on the other hand, must come to life in the nethermost recesses of the blood.
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