It's only fair that stable gay relationships of long standing should have the same rights and responsibilities as married couples. I know the image of gay marriage is to some people horrific and ludicrous.
Ian MckellenRead
So it's joyful to me, in my 71st year, to be able to be in a play that is absolutely right for my age and my experience, and that is a popular success. What more could you ask as an actor?
Interpretation
The joy of being able to perform in a role that fits one's life stage and experience is paramount for an actor.
Ian McKellen expresses the fulfillment and happiness that comes from participating in a production that resonates with his age and accumulated experiences. He highlights the rarity and value of finding a role that not only reflects his life's journey but also enjoys popularity, suggesting that such opportunities are the pinnacle of success in an actor's career.
In practice
In a speech honoring a seasoned actor, one might use this quote to emphasize the joy of age-appropriate roles.
It's only fair that stable gay relationships of long standing should have the same rights and responsibilities as married couples. I know the image of gay marriage is to some people horrific and ludicrous.
On the whole, actors shout when they don't know what they're doing, trying to make an impact.
I just followed my parents' example and advice on living, which was to leave the world a better place than you found it. They were professional do-gooders, ministers of the church, social workers, teachers, and missionaries, that sort of thing.
I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.
There are deaths in public places on the grounds that the victim is gay.
What's nice for me, having identified myself for years as being rather shy, is now, wherever I am, in public, there tends to be a friendly face who's pleased to see me, and I like that.
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
Visual art and writing don't exist on an aesthetic hierarchy that positions one above the other, because each is capable of things the other can't do at all. Sometimes one picture is equal to 30 pages of discourse, just as there are things images are completely incapable of communicating.
I think people inspire me the most. If I meet a person who is incredibly complex, and all of a sudden, I start thinking in rhymes, that person could be a muse.
It is not a torment to be an artist. It is a privilege.
We used to make patterns in the dirt, hanging our feet off the horse-drawn farm equipment. We made endless hourglass figures that I now see as the forms within forms in my crocheted wire sculptures.
With Bound, we wanted to pull at conventions, because you begin to wonder, Why do these stereotypes exist? Where do they come from? You use that as the subtext.
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